White and Anderson are each very in-demand as collaborators in no small part because of their mastery, versatility and highly expressive playing. The duo have each amassed an impressive body of work, and remain at the vanguard of their practices due to an insatiable curiosity and delight in exploration of new avenues of expression.
White has honed a tumultuous, multi-toned surge and roar on his kit since playing in Australian instrumental group Dirty Three. His playing in Xylouris White presages what he does here, making a dense, nearly melodic spray of percussive energy that ebbs and crescendos in freeform patterns not too closely tied to time signature. Anderson, for her part, has made some exquisite albums that distill Appalachian folk and blues into luminous, abstract soundscapes. With this duo she plays more aggressively and is less concerned with melody, but retains a knack for eliciting radiant atmospheres from tone and overtone and dissonance.
Their 2020 debut The Quickening exemplified that daring spirit as an exercise in trust: two musicians who had never performed together before committing those first moments in time to record. 2024’s Swallowtail (released this May on Thrill Jockey) is a deepening of that trust, White and Anderson completely immersed in the moment, each attuned to the other fluidly moving as wind and water. Their music is an enchanting and illuminating celebration of process as joy.
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